Process

  • Artist Book at Bennington Museum

    I made a new artist book for a show at the Bennington Museum. It's a carousel book, inspired by poems by Robert Frost. Here's the cover, which is all done in colored pencil. It felt really good to make a "real" piece of art for a "real" show! It's for sale as a part of the museum's gala event fundraiser. It can also be viewed in the galleries for the entire month of December. Let me know what you think if you see it!

  • More Food and Drawing

    For some time, I've been meaning to submit recipes to the They Draw and Cook website. I finally got two finished for a recent food geometry challenge. I submitted the recipe above, along with another. It was a really fun project for me. Especially challenging was getting the piece in the correct format and size (my Photoshop skills are still lacking), and doing some digital touch up work to make them look their best. I was ultimately happy with how they turned out, and proud of myself for getting it done!

  • Food + Drawing


    I don't know why it took me so long to start drawing food. I always had in the back of my mind that I wanted to combine my two interests somehow. In the last eight months, I've done lots of food drawings, beginning back in October with my Inktober recipes. I wanted to illustrate for someone other than myself, so I reached out to friends who have a coffee business. I'm working on a series of illustrations for different methods of brewing coffee. It's so much fun for me, and I find it satisfying to be working for "clients" other than myself.  

  • Chickens

    These chickens were modeled on my own chickens, Duck and Cluck. I took an online class from Anita Lehman through Carla Sonheim's website that was a very thoughtful look at composition. Sometimes it's nice to get back to basics and see how structure influences outcome. And, on a side note, it's been nice to have fresh eggs to eat and use in baked goods!

  • A New (Old) Way of Working

    I don't know why it took so long for me to go back to making collage and mixed media pieces. Maybe I didn't think they were "serious" enough, or I forgot how much fun it was for me to work this way, or maybe I just forgot how to do it. Recently, I found some fruit that I painted simply on canvas paper. I took out cheap, thin acrylics, poured green and yellow on top, and pushed the paint around the paper. After it dried, I tore out the fruit and saved them for a collage. That's where my playing around with fruit bowls began the other day. For a slight change of pace, I took a yellow piece of painted paper and turned it into a French press. I've mainly been using really smushy media, like a soft pencil, conte crayons, and Faber Castell gelatos. These collaged pieces really feel like me, and I'm loving all the color!

  • New Things!

    I'm test driving some new products at the market this Saturday. It's so much fun to play with color and shape on functional bags and totes. I like the simplicity of playing with fabric, paint, and potatoes. Yes, potatoes! That's what I used to make my stamps......and, they're compostable!

  • Stretching

    I decided to challenge myself with an online course, Explore Florals, taught by Victoria Johnson. It was three weeks of design briefs, each focusing on a different way to think about florals, with an accompanying palette. It was harder than I thought to get out of my own way of doing things and try something new. Just like life, I suppose.

  • Creative Thinking

  • UPPERCASE!

    I am so thrilled to have my very first drawn illustration in the current issue of UPPERCASE Magazine! 

    I drew this on Thanksgiving, 2017. We decided to stay home and celebrate, just the three of us. I wanted my daughter to feel like that even though we weren't going anywhere, it was going to be a special day. So, I let her pick the drinks!

  • Pushing Forward

    I'm trying to remember this and to boldly learn new things without getting bogged down by self doubt. It's hard!

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Process

I'm not good at recording what I do when I'm in the kitchen. I have tried to correct this quirk, especially with my preserving recipes so I can replicate it (or not) the following year. Usually my best strategy is to have a little notebook next to me, preferably one which can lie flat open and is just the right size to stay in one place while I'm writing. This notebook is used expressly for in-process recipes because it winds up too close to my projects and picks up spills, or at the very least, water spots from my hands all over the pages. Luckily, the recipe I want to talk about here doesn't need directions. It's a simple, one-ingredient wonder with a history.

We planted St. Croix variety wine grapes several years ago from a friend's pruned cuttings. My husband built a lovely structure (Geneva double curtain) for them to grow into and has been vigilantly pruning and caring for them. Every year they produce slightly more fruit, and we are always at a bit of a loss as to what to do with the crop. Last year, I made grape jam and jelly, and I wasn't really thrilled with either. I happened to catch a tweet from Mario Batali giving advice on what to do with excess Concord grapes—he recommended making mosto cotto (also called saba and vin cotto). I checked out a few recipes and decided that it was a perfect use for the grapes and maybe a perfect condiment for us. It is also a traditional "slow food" which is not made very often anymore, even in Italy. After convincing my husband that we did not have enough grapes to make wine this year, we harvested them and I got to work. About 25 pounds of grapes were destemmed, crushed, strained, and cooked down for two hours to make about a quart of mosto cotto. It's good—sweet yet balanced with tart acidity, an unctuous texture, and amazing color.

Not only did I create something useful and a product that will last well into the dark days of winter, I felt my husband's grandmother peering over my shoulder, remembering the process from when she was a little girl, growing up in the south of Italy. It's a food with a sense of history and a strong sense of place.

**If you're interested and want to read more about mosto cotto, see the NY Times archived article here for recipes and sources.